Dangerous Curves -- The Art of the Guitar

Electric Guitar
Gibson
Les Paul

Electric Guitar
Gretsch
White Falcon

Lap Steel Guitar
Valco Dynamic


Electric Guitar
Danelectro 3012

Electric Guitar
Gibson
Flying V

Electric Guitar
Fender Telecaster

Electric Guitar
Rickenbacker
360-12

Double-Neck
Electric Guitar
Gibson EDS-1275

Electric Guitar
Fender
Telecaster

Electric Guitar
Gibson Les Paul
SG Standard
Guitar
Manzer Pikasso

Electric Guitar
RIckenbacker 331
Electric Guitar
Kawai M5-700
Moonsault

The Electric Guitar, 1950's-2000

he key to the new sound sweeping America-rock and roll-was the electric guitar Because the electric guitar relied on an electronic "pickup" for amplification, there was no need for the hollow body that for the previous four centuries had been the primary component of the instrument. Groundbreaking "solid-body" instruments-many still in production today-included the Fender Telecaster model, the first mass-produced sold-body electric guitar; the Fender Stratocster model, with sports car contours and bright colored finishes like "Sonic Blue" and "Fiesta Red"; and the Gibson Les Paul model, bearing the name of the legendary performer and represented in the exhibition by three early examples, including one owned and customized by Les Paul himself.

   The shape of the successful Les Paul model was copied by other instrument makers almost since its inception. Its outline shows up on the Gretsch Company's Roundup model 6130 (1955), which was aimed to appeal to country musicians with engraved plastic longhorns and cacti, tooled leather edges, and a top veneered with knotty pine and the company's "G" branded into it.

   As the space age exploded, Gibson introduced a trio of futuristic instruments in 1958, including the Moderne (which never made it to production), Flying V, and Explorer. The ultra-modern Flying V-represented in Dangerous Curves by the very rare 1958 model and Jimi Hendrix's 1967 model covered with psychedelic "flower power" designs-and Explorer (1962) made a big splash when originally unveiled, as their angular shapes were unlike anything imagined for guitar design. With the precedent set, the guitar world saw an explosion of new shapes over the next forty years. Design experimentation addressed new forms, colors and materials, and resulted in instruments such as the Vox Company's MK VI Model (late 1960's) with a teardrop-shaped body; Valco's plastic Glenwood 99 Model (1963-64), which borrowed its shape from a map of the United States; and a quintessential fashion statement of the late 1960's, the fender Pink Paisley Telecaster (1969), covered with a paisley pattern.